Somewhere in the Center, I Created You
The exhibition features the latest film Shechina (2025) by the two artists in Gallery I, and Kishon’s drawings, paintings and a furniture design Diamond Wave Chair (2025) in Gallery II on the second floor.
Gateway Wonder
Gateway Wonder serves as an emotional theatre, taking viewers away from the reality and attending the inner universe of the artist.
True Sense
Fang Lu’s second solo exhibition in Boers-Li Gallery, “True Sense”, opening on June 9th, 2016. The exhibition features her latest films produced in Berlin and the southern desert of Israel “The Secret of Supermoon” and “Sea of Silence”, along with “No World” filmed in Beijing.
Lost Seconds
This exhibition features Fang’s newest work Cinema and an earlier work from 2006, Bump ’n Grind. In her latest and exceptional work Cinema, Fang Lu explores in a meticulous yet un-dramatic — almost casual — way of how “the self” in our today’s life is a controlled and staged construction of oneself.
Lover and Artist
As the title suggests, Fang’s latest exhibition explores the surprising symmetries that exist between an individual possessed by amorous feelings and a person compelled by creative impulses.Fang’s three-part multi-media installation at Pékin Fine Arts in Wong Chuk Hang includes two related video works and a new, text-based LED installation.
Amorous Acts
… Amorous Acts draws explicit attention to the methods and means of its own making, namely an awareness of the camera and its conflicted role as both “objective” witness and a tool capable of manipulating emotions to elicit new forms of experience.
Eclipse
Beginning with a respect for the logical relation between these works, we have titled this exhibition “Zuo Shi,” exploiting the word (shi) hybrid and ambiguous cross between a noun and a verb, and attempting to summarize the basic elements and rhythms of Fang Lu’s recent works.
Unrecording
Unrecording tries to give a modest review of the artist’s portfolio from one of her earliest films Untitled Beings (2001) to one of her latest Skin (2010). But more importantly, it’s the artist’s attempt to communicate her idea of video-making: that it is not always just about recording. Even though the camera is recording what is happening, it is not always realistic, even less documentary.